Play It as It Lays
By: Joan Didion
1970
Hollywood, where dreams go to die.
Breton Easton Ellis' Clay from Less than Zero found it difficult to merge into traffic on the highways surrounding his fictional arts college. On the other hand Didion's Maria feels drawn to the empty expanse of the freeway. One can see the connections between these two novels as they deal heavily with the confusion and expectations of youth. Ellis has cited Didion as a strong influence on his early work, and Play It as It Lays illuminates a vision of Hollywood as pitiless, materialistic, and shallow.
I was also interested in this novel because of the connection to another dark novel about Hollywood, Nathaniel West's The Day of The Locust. (I know it's not on the list, but in those early years I thought it was. I do not regret reading it at all.) Locust is a novel that explores the underworld of Hollywood parties where disparate and marginalized actors attempt to find exposure in an industry that easily swallows up naive and unguarded optimists. Play It as It Lays is another animal altogether.
Maria is a semi-successful actress who is haunted by her mother's strange death which may or may not have been a suicide. The book is less concerned with the icky underbelly of Hollywood but more focused on attempts to manage fame and family, while preserving one's identity. Maria appears confused, withdrawn and sexually promiscuous and turns to prescription drugs and alcohol to deal with her pervading anxieties which only deepen her depression. This may incite pathos in some readers, but Didion is not looking for us to pity Maria, her function as a protagonist is to invite the reader to critically think about cultural and political issues surrounding feminism.
Maria is a semi-successful actress who is haunted by her mother's strange death which may or may not have been a suicide. The book is less concerned with the icky underbelly of Hollywood but more focused on attempts to manage fame and family, while preserving one's identity. Maria appears confused, withdrawn and sexually promiscuous and turns to prescription drugs and alcohol to deal with her pervading anxieties which only deepen her depression. This may incite pathos in some readers, but Didion is not looking for us to pity Maria, her function as a protagonist is to invite the reader to critically think about cultural and political issues surrounding feminism.
Maria's disposition is arguably correlated to her pregnancy and the abortion she is implored to endure. After her visit to a doctor who says the scraping of her uterus should be "music to her ears" she dreams of dead infants and consequently her body reacts horribly to the procedure. The novel is detailed with bloody placentas and ever flowing menstrual blood which prompts Maria to rethink her family life, especially her young daughter who has been institutionalized for a mental disorder. Since Maria is surrounded by frivolous, often misogynous people, she cannot find an outlet for the emotional turmoil she is experiencing. She spends time on the phone with her ex/husband where she cannot express herself and often responds to his empty empathy with derision and disassociation. Furthermore, this 1960's Hollywood saw the beginning of rumour magazines that sought to bring the sordid lives of stars to public newsstands. While Maria has amorous relationships with two-bit actors, she steals cars and winds up in prison; her circle of "friends" know her every indiscretion, (because they are frequent readers) and criticize her for her actions. Strangely, the one piece of information that does not circulate to her friends is her abortion. Her circle is more centred on her reputation, rather then her emotional state and her body.
Summatively, this novel really impacted me in a number of ways that made me critically examine notions of power. It reminded me of Foucault's concept of Biopower, which argues that power is exerted over the body by particular groups who hold power. Seeing as this novel is from 1970, it was written after the initial women's liberation movement, and the proliferation of "the pill." I believe Didion is reflecting on these historical moments with Maria's abortion and the way men force her to destroy her unborn child without taking into account her feelings and attachment. Maria feels powerless over her own body, and although culturally and socially she is supposed to be reclaiming her body, there are still forces that impede her empowerment. Didion, arguably, wants her readers to see that these historical moments for women are important and should be celebrated, and that people should remain focused on creating an environment which promotes equality, celebrating one's identity and the reclamation of women's bodies. A statement that should be always present in cultural politics, and continues to be a contentious issue to this date.
Grade:
A